Westcott recently released its third version of the popular specialist tool, the Eyelighter. If you happen to be a working headshot or portrait photographer, there is no way you haven’t seen it, thought about buying it, or even had it in your shopping cart at some point.
Although I have come to love a curved reflector, I have always avoided the Westcott version because of the price point. When the version one was released, it was retailing at $299, which seemed a pretty steep price to pay for what seemed to me at the time to be a gimmick.
Over the years, many other companies produced curved reflectors at lower prices. After trying several, I finally settled on Adorama’s Glow Arclight.
At the time, it was $100 less than the Eyelighter and included two additional fabric colors (white and gold/silver), so it seemed like a good deal. Adorama, Neewer and others selling very reasonable copies at lower prices meant that Westcott needed to work hard to get photographers to choose their modifier.
When I saw that Westcott had released the version three, of course I had to click on over and take a look-see. It was amazing what I found. Westcott seems to have listened to me and solved my main issues with the Eyelighter’s latest version, the cost and portability. Now it’s still not a cheap modifier, and it’s still a big, unwieldy pain in the arse of a reflector, but there are some serious improvements on both fronts.
Full disclosure: Westcott provided me with the Eyelighter 3 used for the purpose of this review.
A Better Value Than Before
The full retail price of the Eyelighter has come down over the years from $299 to $199, much more competitive with other curvy reflector producers. Even then, the thing that always gave Glow the edge over Westcott for me was the inclusion of the additional fabrics.
You see, most of my day-to-day work could be described as bog-standard business headshots for LinkedIn and email signatures. A burning hot corona of light in the lower iris isn’t exactly the style most of my clients are craving, so I tend to favor the white fabric over the silver that is standard in previous versions of the Eyelighter.
To get white fabric on the Eyelighter 2, you would have to plunk down $299 and then an additional $60. The Glow model won my heart. In a very nice change of pace, Westcott not only includes two additional fabric options for the base price of $199 (white and silver/gold), but they are much easier to change out than they used to be. Instead of taking the whole dang thing apart, you just lay the other fabric over the top and secure it with the built-in Velcro strips on the edges.
With the current retail now at $199 and the extra fabrics included, the Eyelighter 3 is a much better value than it used to be. Still at the top of the price range, though, with the Glow Arclight II currently selling for $149, and the Neewer curved reflector on offer for $99. If the straight-up price were the only consideration, most people might still opt to save a few bucks and go with another brand. There’s more.
Faster Setup and Breakdown
I’m gonna be really honest, here. The difference between $100 and $200 for a curved reflector isn’t that big of a deal for me. Westcott generally has great build quality to their products, and I have found their service and support to be very good over the years. I will happily choose paying more for something that’s better built, that the company will stand behind, over saving a few bucks. So even though they have added some good value in the new version of the Eyelighter, that alone isn’t enough to make me click the “buy” button.
The biggest issue with the Eyelighter or any other large, curved reflector so far is its difficulty in assembly and taking up too much space. Even if you have a studio space and can leave it set up, you might find, because of the size and shape of it, that it’s very awkward to store.
If you are like most photographers and work more on location, you might just come to dread the setup and breakdown of a curved reflector. My experience is that it takes about 7-10 minutes to set up and about 5-7 to break down and store properly. Doesn’t seem like a huge deal, but you might discover that you opt for something easier to transport and set up when on location after you have to do it a few dozen times. Wait until one of those tiny screws that hold it all is lost under your office breakroom fridge.
So far I’ve decided to keep my curved reflector in the studio. I rarely use it outside of the studio, even though it produces great results. In the version 3, Westcott has redesigned the frame of the Eyelighter making it a much faster setup and breakdown. Their website claims that it only takes 2 minutes to set up, which I can confirm after having done it myself a couple of times. The clever design of this reflector allows you to attach the poles in half, so there are no small screws to loose. This is a lot quicker than putting the huge silver socks of fabric on top of the small-sized poles. And it doesn’t look like Chevy Chase, who was fumbling around the entire room.
Portraits Lit with the Eyelighter 3
Here are some portraits I shot over a couple of sessions using the Eyelighter:
The Final Word
The curved reflector is a specialist’s tool. It’s certainly not the right solution for every situation. It does, however, do quite a bit of heavy lifting in the lighting department, and those of us that use curved reflectors, tend to swear by the results. The Eyelighter looks great, considering all the factors.
If you are a studio photographer and plan to leave it set up (and you don’t need to switch fabrics often), pretty much any curved reflector will do the job for you. The Eyelighter 3 is the perfect choice for portrait and headshot photographers who love the look of a curving reflector, but want something that’s more compact.
Good value, great build quality and design, and much-improved portability are what you can expect out of the Eyelighter 3.
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Image credits: All photos, unless otherwise noted, by Gary Hughes.